Threaded discussion 2 | Political Science homework help

I have chosen film, cinema, in my work in order to theorize difficult questions regarding democracy and difference.  There are, however, many points of caution in choosing to use film.  Films often can reinforce and affirm stereotyped and demeaning images of others; that is, film is as effective a tool for installing as it is for challenging and overcoming oppression.  However, as I write in Chapter One, the fictionalized realism of film can allow for a sharing of the different experiences that individuals live through and can serve as a helpful tool to uncover the raw materials that make up our various social or cultural identities.  In other words, and more specifically, film and film criticism facilitate the search for a location from which to envision a democratic politics in ways that are respectful of difference and that quite possibly can contribute to the transformation of one’s sensibilities by providing an opportunity to theorize and imagine a new or emerging politics from a position of eyewitnessIdentify two films not presented in class that you believe have the potential to transform one’s political sensibilities pertaining to deep differences. In addition to your recommendations, be sure to give a full citation and a short abstract for each of the two films you suggest. To add a new post, click the “My Recommendation” link belowAmerican film Released in the last 5 years with citation and it can’t be one of those filmsRecommended Feature Length Film Texts:Beach Rats, 2017; Directed by Eliza HittmanBoys Don’t  Cry, 1998; Directed by Kimberly PierceBoyz ‘N the Hood , 1991; Directed by John Singleton Call Me By Your Name, 2017; Directed by Luca QuadagninoCesar Chavez: An American Hero , 2014; Directed by Diego LunaDo the Right Thing, 1989; Directed by Spike LeeGet Out, 2017; Directed by Jordan PeeleLoving , 2016; Directed by Jeff NicholsMilk, 2008; Directed by Gus Van SantMoonlight, 2016; Directed by Barry JenkinsMy Own Private Idaho, 1991; Directed by Gus Van SantSelma, 2014; Directed by Ava DuVernaySmoke Signals, 1998; Directed by Chris EyreStonewall: Where Pride Began, 2015; Directed by Roland EmmerichStraight Outta Compton, 2015; Directed by F. Gary GrayThe Birth of a Nation, 2016; Directed by Nate ParkerTwelve Years a Slave, 2013; Directed by Steve McQueenRequired Documentary Film Texts (Democracy and Difference website):*13th, 2016; Directed by Ava DuVernayA Place of Rage, 1991; Directed by Pratibha ParmarAmerica in Black &White: A Question of Identity, 2003; Films for Humanities and ScienceA Family Portrait, 2011; Directed by Melissa Leu and Jeff Haig (Student Film)Cultural Criticism & Transformation, 1997; Featuring bell hooks and Directed by Sut JhallyEthnic Notions, 1986; Directed by Marlon RiggsExploring Society: Gender, 2005Exploring Society: Race and Ethnicity, 2005Exploring Society: Social Class, 2008Further Off the Straight and Narrow: New Gay Visibility on Television, 2006; Katherine Sender Generation M: Misogyny in Media and Culture, 2013; Directed by Thomas Keith How Racism Harms White America, 2013; Directed by John Bracey *I Am Not Your Negro, 2016; Directed by Raoul PeckLatinos Beyond Reel: Challenging a Media Stereotype, 2012 Off the Straight andNarrow: Lesbians, Gays, Bisexuals & Television, 1998 On White Privilege, 2008; Featuring Tim WiseReel Bad Arabs: How Hollywood Vilifies a People, 2006; Directed by Sut JhallyResponding to Diversity; 2011; Directed by Rise Sanders Weir and Tracy UllmanSoundtrack for a Revolution, 2009; Directed by Bill GuttentagThe Brandon Teena Story, 1998; Directed by Susan Muska and Greta OlafsdottirThe Bro Code: How Contemporary Culture Creates Sexist Men, 2011; Directed by Thomas Keith *The Celluloid Closet, 1995; Directed by Rob Epstein and Jeffrey FriedmanThe Empathy Gap: Masculinity & The Courage to Change, 2015; Directed by Thomas Keith The Origins of Cultural Studies, 1989 ; Featuring Stuart Hall*The Times of Harvey Milk, 1984; Directed by Rob EpsteinWhite Like Me, 2013; Featuring Tim Wise and Directed by S. Morris

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